Category Archives: History
Why Hegel is not Freud is not Lacan Pt. 2.
Cain Pinto
II. iii
Negativity in Psycho-analysis
What is a person according to psycho-analytic theory? The answer, unfortunately, cannot be a neutral one. Just as any technical field of human knowledge requires technical definitions of its objects, tools and techniques psycho-analysis too proceeds through a stage of definitions. But, there is one marked difference in psycho-analytic theory: psycho-analysis is both a tool and a technique, and its object is to achieve or restore an individual’s capacity for affirming life as it really is.
What is life, really? Psycho-analysis cannot answer definitively—and does not purport to—for a variety of reasons. The idea that reality can be apprehended all at once, as naturally given to sense certainty, is anathema to psycho-analysis; yet, psycho-analytic realism is also innately conservative: it describes reality as the situations of life the way they are grasped by the common man, the reasonableness of everyday life and its institutions[1]. This description of life, as that which is not fantasy, depends on a majoritarian index of the reasonable, the normal, the typical and the permissible. Freud allied his conservatism with a hope in the definitive progress of empiricism: the god Logos, he called his brand of reality.
It must be admitted that this description of reality is rather enigmatic; it offers no more clarification than does a myth for its queerness; the reality psycho-analysis appeals to is so wide as to preclude any positive description. To describe a real person from this view of reality would be to approximate a discourse proper to poetry, fiction or prophecy, not science, not philosophy. Accordingly, as a corrective to this tendency towards fantastic descriptions, psycho-analysis begins with scepticism as its first axiom or, as Freud pithily aphorised: “Where the id was the ego shall be”[2]. All reality is a fabrication of instinct, but some ego-cathexes or fabricated realities are more tenable, scientific, and truer than other speculative truths.
The naturalism of Freudianism is eliminative. It describes reality after it has been shorn of delusion, intentional content and affective influence. Then, the vagueness of a consensual definition of reality as seen by society is overcome by psycho-analysis if only by a negative definition of reality committed to scientific verification. What is not scientifically demonstrable is suspect as fantasy, illusion, and pathology. Now, psycho-analysis can define a person: a person is a collection of symptoms that interact with the scientifically verifiable world. Accordingly, a religious person despite his education, occupational status, social capability and intelligence is neurotic because he is religious; a scientist is paranoid-obsessive if his overarching concern is to create a theory-of-everything because he presumes beforehand that such a theory is possible. Rather than be threatened with its rather tenuous descriptive power over a field of normative reality, psycho-analysis reduces the scope of positive description of reality to the range of demonstrable facts. This is both its epistemological merit and limitation.
Psycho-analysis is capable of calling the bluff on unfounded beliefs but cannot posit a positive description of reality. Each successive revision in scientific progress becomes one more ego-cathexis that approximates a total field of what can be called real legitimately. From this perspective psycho-analysis is an archaeology of the existing range of reality. It can explain how some symptoms are oriented towards the past and some symptoms are not compatible with the present situation and thus are gravitated towards a psychical crisis, or real life tragedy. The descriptions of psycho-analysis are essentially negative.
Then, how does psycho-analysis handle the idea of negativity qua negativity?
II. iv
To conceive of the negative, in view of psycho-analysis, we must return to the idea of the negative in dialectics vis-à-vis psycho-analysis. Dialectics simply begins with the naïve sense certainty of reason that becomes capable of propositions by latching onto binaries of identity and difference, conformity and contradiction; then, by eliminating the non-contiguous or incompatible elements between these objects of consciousness; and, finally, by affirming the sum of what has been negatively described[3]. Thus, the three stages of the Hegelian dialectic are uncanny analogues of the Freudian topographic triad of unconscious, preconscious and conscious. But the nature of this analogy is not determined in a compossible way. This is because psycho-analysis must question the very first instance of sense certainty with which the dialectic takes the liberty to begin a phenomenological account[4].
In the primary state of sense certainty we are in the domain of preconscious thought, by performing a reduction on sensory data by empirical verification we come to appreciate the gap between our expectations and reality. But, for psycho-analysis this movement has begun too prematurely; sense certainty is always suspect because we find it as a given. This is what Freud drives home using the idea of primary repression[5]. The given sense certainty and our attitude towards it is not indicative of its veridical quality, after all satisfaction with what is perceived as reality is actually only a compromise-formation between the id, the superego and reality[6]. But the suspicion of the psycho-analyst is also suspect for the same reason: it conforms to a knowledge it cannot have by definition. We must recall that there is no escape from the circular grip of Freud’s formulation: where the id was the ego shall be. Thus, we are led to reassess the claim of psycho-analysis against philosophy in light of its own inability to posit a positive description of what is reality without question begging.
If reality is a peculiar cathexis of the libido and the only way to be sure is to verify one’s beliefs scientifically it follows that there is no explicit teleological view in psycho-analysis. It can look behind and not forward because consciousness is redefined along the contours of empirical knowledge. Yet, because psycho-analysis must insist on looking behind it implicitly assumes that there is a reality which tends to escape consciousness; it believes this axiomatically, without empirical evidence. Thus, we have a paradox: the cogito which psycho-analysis calls into question is also constitutive of the psycho-analytical perspective[7]; it cannot question its posited rationality-beyond-fantasy. Because psycho-analysis functions on the basis of suspicion it must believe in its a priori access to an inchoate gestalt of the whole truth.
The negativity of dialectical philosophy works by eliminating the contradictory contents of cognition and thereby effects a newer, more complete, synthesis. This movement of knowledge is akin to the development of science: hypotheses work as sense certainties extended into the realm of what is considered to be possible, or probable by the scientific community; then, conflicting evidence is understood to re-define the earlier assumptions; and, finally, new knowledge emerges as a new perspective on an earlier problem within the scientific community. This understanding of negativity cannot be taken as identical to the one espoused by psycho-analysis. For psycho-analysis the movement of scientific knowledge into the future by way of hypothesis is still a neurotic approximation of consciousness to an imagined reality, or ego-cathexis. Accordingly, the negative moment which separates facts from hypotheses in scientific practice become positive moments of ego-cathexis to the psycho-analytic theorist. Rather than look at the predictive value of hypotheses in the present moment the analyst must rely on his a priori suspicion to measure present hypotheses within older contexts of knowledge, and find them lacking in integrity until proven otherwise in the future. But this is absurd, for didn’t Freud profess the process of scientific illumination [Logos] to be the object of mature desire?
It is helpful, now, to remind ourselves of the peculiar nature of the Freudian reality principle. It is not just the influx and interpretation of stimuli available to consciousness, rather it is “…the truth of a personal history in a concrete situation” in relation to its fantastical elements[8]. In this sense, it is not really the objective externality as it seems to the subject which is put to test against the id, the superego and the reality principle but it is the adaptation of the constitutive fantasy in accordance with the subject’s lived history[9]. What this means is that we cannot look at the contingent developments of knowledge from a perspective that doesn’t take earlier historical developments in the state of this knowledge into account. Reality becomes, psycho-analytically speaking, the sum total of past facts of experience and the radical gap between what is now known, and what one subsequently hopes to do with this knowledge.
Reality is no less than a feedback-loop propelled by instincts and examined in hindsight, continually changing itself by self-reference and self-positing. Accordingly, what is conventionally thought of as the negative in the phenomenological perspective is no longer self-identical as the negative in the psycho-analytic scheme. Since the analytical gaze of the psycho-analytic session is situated in the present but derives its impetus and coherence from raking up the analysand’s past, the dialectical view of negativity is recast as a positive determination when seen from the analyst’s perspective. Therefore, the psycho-analytic notion of negativity involves a redefining of the present symptom, or facts of observation, into a meaningfully cohesive unity with the symptomatic past of the analysand. Simply speaking, the negative in psycho-analysis consists of positive descriptions of the present moment as they relate to the intentions of the subject in light of his previous adaptations to reality; the traumatic remainder between past experience and present action is psycho-analytic negativity. Rather than the speculative moment’s projective impetus which is available to the idea of the negative in phenomenology, in psycho-analysis the idea of the negative is determined in the subject’s relation to the aleatory contingency of his previous actions which have conditioned the present horizons of his reality.
To be continued.
Read the previous section here: http://skepoet.Wordpress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/
Bibliography
Akhtar, Salman. (2009). Comprehensive Dictionary of Psychoanalysis. London, UK: Karnac Books.
Beiser, Frederick, C. Ed. (1993). The Cambridge Companion to Hegel. Cambridge, UK: Cambridge University Press.
Ricoeur, Paul. Trans. Ihde, Done. (2004). The Conflict of Interpretations. London, UK: Continuum.
Ricoeur, Paul. Trans. Savage, Denis. (2008). Freud and Philosophy: An Essay on Interpretation. New Delhi, India; Motilal Banarsidass Publishers Ltd.
Notes
[1] “…[R]eality is first of all the opposite of fantasy—it is facts, such as the normal man sees them; it is the opposite of dreams, of hallucination”. Freud’s crypto-philosophy offers to call reality a god; the god Logos. This move is nothing but Freud inserting “…a bit of irony…in an ad hominem argument”. Available from <http://skepoet.wordpress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/>.
[2] See < http://skepoet.wordpress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/>.
[3] Beiser, Frederick, C. Ed. The Cambridge Companion to Hegel. Cambridge, UK: Cambridge University Press, 1993.
[4] “Phenomenology begins by with an epochȇ of objects given to consciousness as sense certainty, in the first stage of the dialectic. Psychoanalysis begins by putting this givenness of consciousness and its objects and the epochȇ of the conscious thinker into doubt. “…[T]he true situation of consciousness is discovered” to be the motivating principle Eros and its instincts which clamour for satisfaction through feelings and intuitions in the analytical movement of Psychoanalysis. But, the synthetic movement of the dialectic takes the absence of visibly motivating instincts in feeling and intuition to be a proof for reason’s right to “…self-determination”. The suspicion of psychoanalysis and phenomenology is directed towards entirely different aspects of conscious thought”. Available from < http://skepoet. WordPress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/>.
[5] Ricoeur, Paul. Trans. Savage, Denis. (2008). Freud and Philosophy: An Essay on Interpretation. New Delhi, India; Motilal Banarsidass Publishers Ltd.
[6] Akhtar, Salman. (2009). Comprehensive Dictionary of Psychoanalysis. London, UK: Karnac Books. p. 52.
[7] Ricoeur, Paul. Trans. Ihde, Done. (2004). The Conflict of Interpretations. London, UK: Continuum.
[8] Ibid. p. 184.
[9] Ibid.
Ideology and the Individual In Cinema, II
By David A.
First, before I begin, the following is not intended to make a conclusion on whether or not the modern incarnation of film represents “good” or “bad” art; I am not Slavoj Zizek, nor do I intend to be. Instead, this is a matter of examining ideologically functionality. It is intended to glance at what the majority of films, especially films derived from Hollywood, are implemented for with regards to bourgeois cultural hegemony.
We left off roughly at the conclusion that the modern manifestation of the cinematic hero is (consciously or unconsciously) a specific form of interpellation. This edition, however, seeks to understand, at least on an abstract level, the way in which the hero, the protagonist, inevitably serves a different function than it did in pre-Capitalist times given that art then was produced under different ideological circumstances, given the different mode of production which existed at the time. While what I put forth here may, indeed, apply to both the aesthetic form and with literature, I have chosen to dedicate this serial to the subject of film because it is among the chief examples (as well as the most popular) of a form of art which has developed entirely in the context of Capitalist cultural domination, and with regards to Hollywood, is entirely inseparable from the circulation of Capital (as the existence of many a studio film depends entirely on whether or not this is a possibility). This is, of course, not to say that other forms of media have not also been incorporated into the overall bourgeois superstructure; however, having existed throughout the ethos of humankind’s cultural expression, across different modes of production, such an analysis would have to be reserved for another time.
Literature and art of the past has offered us a myriad of heroes, of sagas, which romanticizes the experience of the struggle, something all organisms endure, which, in turn, formulates the narrative itself. Very often, however, the art produced existed in the realm of cultural self-expression wherein, as I previously pointed out, the characters that were produced by the narrative were entirely subject to the objective material conditions which were depicted within the narrative (wherein, also, the line betwixt fiction and non-fiction, myth and fact, was mystified). Let us examine the case of Cao Cao, as so famously depicted in the epic Romance of the Three Kingdoms. It was not Cao Cao, or any of the other romanticized warlords (Lu Bu, Liu Bei, etc.) who forged the narrative – they were the catalyst for the story of China’s upheavals, rather it was inversed. The troubles of that period were the catalyst for their manifestation, both in reality and, somewhat more importantly, in their immortalized depiction across the annals of history, starting from the aforementioned novel. The epistemological rupture betwixt Cao Cao or Achilles and, to use a crude example, a Rambo archetype, is that the latter exerts his determination very often isolated from or hostile to the objective material circumstances of a given situation, i.e. the masses or the environment (very often both). Only occasionally do modern heroes require the help from characters that are, of course, supporting them in their endeavor of personal conquest. In short, Cao Cao and the like are subject to the narrative at hand, whilst on the other side, modern cinematic heroes are very often masters of that very narrative.
Here I must pause, and for a moment explain that since this is being viewed through the prism of historical materialism, I must point out that I do not think that the protagonist, the hero, while nearly ubiquitous in art throughout human history, retains a transhistorical function. On the contrary, the effort must be put forth to thoroughly investigate the modern origins of the individualist archetype, immortalized time after time in the modern cinematic experience. Here, through Nietzschean self-determination and will, the protagonist is never subject to the objective conditions, but the very catastrophe of it’s being, manifested in explosions and gunfights, forms the modern narrative, seeping down into all manners of artwork from the golden screen above. Wherein did the protagonists’ function depart from an agent of cultural self-expression, in which they are secondary to overall drama of the narrative itself, to functioning as an agent of self-assertion whose very existence is the narrative? When did the protagonist become reified into the narrative itself, and when did narrative no longer from the soil from which various characters spring up? Without the Trojan war, without the siege of Troy, the objective conditions of the time, could Homer have had an avenue through which all those heroes could have been highlighted? Fictional or not, the objective events of that time shaped the stories, formed the narrative, from which characters sprang – and to those conditions were they vulnerable. Without the mistake made by Asano Naganori in assaulting Kira Yoshinaka, and without all the developments which transpired afterwards, again the objective conditions from which characters spring, what would have become of the Japan’s national legend, The 47 Ronin?
It should be noted that while looking fondly on storytelling of the past, this piece in no way suggests that the ethos of art return to the way it was in a previous mode of production, as such a thing would be the act of a philistine at best, and the crime of a reactionary at the worst. Springing back to the present, we can see that the narrative, the objective conditions, does not proceed the protagonists, but rather it is composed by the interpersonal affairs of the protagonist itself; the narrative is subject to them, and as such, cannot form independently. How often does the vigilant movie-watcher spot something attributable to the protagonist which forms a plot hole, and upon pointing that out, is met with the usual,
“Well then, there’d be no movie!”
The most recent example would be the film Django Unchained, which while personally artistically satisfying, exemplifies this motif. It is a fascistic masterpiece insofar as the entire plot arch revolves around the existence and self-determination of a lone individual, in this case Django, and could not even materialize without him. There are rare exceptions, but generally in the modern ethos of film, this is the formula which is employed to tell a story. Perhaps it can be said that the objective conditions forming the subjective experiences exist, but that the subjective experiences are the foreground, while the masses, the landscape, all exist in the background and would not at all be explored save for the existence of the protagonist. A necessary investigation, which should be saved for another time, would be examining the rupture points wherein the modes of expression changed function, even use-value, and responded to the shifts in the modes of production.
Antiquity clearly employed one distinct form of function in artistic expression from modernity; where we are lost is the in-between, where the function ceased one form and manifested into another.
If we work alongside the notion of material progression, then we are of course bound to incorporate the status of artistic mediums into that overall equation. The key is watching for new artistic mediums as well as the movements which start in their wake, which have a tendency to react to external stimuli, mostly springing from the masses. Clutching to the events and upheavals of a given time, the points demonstrated earlier that art directly corresponds to the ideological mood of the time, and most of it is in turn completely overtaken by the cultural hegemon.
The presence of the gaze, which is something acknowledged throughout production of a film, is itself a direct result of the current mode of production, forms a key function of the shift in artistic, especially cinematic, function, The gaze, often contained within the span of two or so hours, fixates you upon a particularity, who’s aesthetic appeal has a limited span of time, and cannot enjoy the sort of permanence that a book, painting, sculpture, etc. enjoys. Meanwhile, a particular scene can be enjoyed multiple times, but against, within a specific time/framework, while consciously being subjected to the gaze of the viewer. Add the subjective perception of the viewer into this framework, whom is aware of the conditions in which the illusion of film takes places (ignoring it via the suspension of disbelief), here we already have a relationship with a disposition towards atomization. Here, the time to espouse an artistic point is not measured in lifetimes (such as the cultural importance of a particular painting or piece of literature), at most it is measured in generations with the case of film, and certain hastiness must take place. A scene, a filmed narrative, must work to have all the necessary details ready at once, while producing the agents of narrative whose composition is entirely sweeping enough to at least appeal to a majority of the viewership, at least the intended viewership (again, this is a matter of Capital circulation). Here the intention is established; that insofar as it will circulate capital, the development of a narrative which does not relate to a culture-at-large, but rather individual dispensers of cash, i.e. the viewership, films will continuously produce narratives composed by irrational individual heroes.
Knowing this, it cannot be emphasized enough to remember that film is rarely produced for the sake of artistic satisfaction, but instead serves an economic use-value (entertainment) and has proven to a be an extremely viable method of capital accumulation and circulation. We have only faint glimpses of what cinema looks like divorced from bourgeois cultural hegemony, and most of said material has been produced in the past from consciously revolutionary movements which sought to do this very thing, existing only in brief spats of time. Inversing the narrative and protagonist, or clearing distinctions between the two, demonstrates the ideology of rash individualism in society-at-large; through this, even in the most crowded theater or in the thickest of a party, atomization (cinema being on aspect of interpellating this point) has ensured that we shall all continuously be alone together.
In the modern narrative form, which is embodied in most cinema, adapting to all new forms of media, it enforces the notion (consciously or unconsciously) that the mostly socially-constructed notion of the individual exists in its most terrifying form, in completely isolation from one another, and the heroics of modern cinema only serve to reinforce this idea that you and you alone are the master of objective material circumstance. It serves to inject the idea into the masses that the individual exists in the foreground of all matters, severed from the backdrop.
Another crude example is the Batman; Bruce Wayne is the avenue through which we come to explore and understand the city of Gotham, which is the crux of the narrative even though it is quite obvious that because of that environment itself is he initially. Even long before the narratives of Batman, when cowboys were still in style, we see that, no, it is not the chaotic, beautiful (already inhabited) lands of the American West, with all its towering heights, that forms the prerequisite from which the fascistic heroic cowboy emerges; rather, because of that hero and the endeavors which he undertakes do we understand the latter.
Again, partly because of time, because of the gaze, the subject may not be presented with the totality from which our gun-toting ranger first bolts out of upon his trusted steed. Setterlism, in all it’s grotesque romanticism, must be at once personified into a Clint Eastwood, whom above all else is both in the narrative but at the same, because he has the ability to intervene in affairs, is above it. There are, again, always exceptions; however, the ontology of cinema, especially in the United States, can be characterized in this way, albeit very roughly at this stage in the analysis. Art, like many things in bourgeois society, requires remnants of past times to be incorporated into the mold of the superstructure when the use-value of a particular cultural ethos is favorable to bourgeois cultural hegemony. In the case of film, the ethos of the hero, which of course, has thus far manifested throughout history, has been entangled in the affairs of cinematic interpellation, a reactionary left-over from times bygone, yet still retaining the ability to captivate an audience. Although in this way, it shifts in function, and the hero itself transformed into something extreme, into something irrational. Boundless, the narrative must now surrender to the modern individual protagonist, whom now, more than ever, it owes its existence to. Now, more than ever, the narrative is not producing agents of storytelling, but as we have said, it is borne from an agent. Serving numerous functions, chief among them capital accumulation via entertainment value (the economics/chrematistics of the matter of the material base), the precise character of the modern hero fits neatly into the manifolds of bourgeois cultural hegemony, in both the productivist sense as well as feeding the ideological necessity of irrational individualism.
The case for smashing borders
The Peace of Westphalia: Triumphus pacis Osnabruggensis et Noribergensis; Tubingen, Brunnius (1649)
Originally posted at The Charnel-House.
J.A. Myerson has an article up over at Jacobin making “The Case for Open Borders.” As an historical overview, it’s not terrible, even if the way it retains the language of “consecration” for the modern period is a bit tendentious. Borders and rights are not “consecrated” as divine rights but “legitimated” as civil rights. There’s some acknowledgement of this fact, at least initially, but the author goes on to undermine this distinction in advocating “universal human rights, consecrated in struggle, enforced by solidarity.”
On a related note — why does “solidarity” always seem to enter in as this kind of quasi-mystical force by which we can simply express our sympathy with various remote causes and thereby consider our political obligations fulfilled? This, far more than any kind of legal procedure defining and establishing borders, strikes me as almost religious. It’s akin to the sentiment expressed by those of various religious persuasions who’ll reassure you that they’re praying for you, etc. Read the rest of this entry
Review: Slavoj Žižek’s “The Parallax View” (2009)
Cain Pinto
Žižek’s Transcendentalism without the Transcendental
After reading a book in this series, the reader should not simply have learned something new: the point is, rather, to make him or her aware of another—disturbing—side of something he or she knew all the time.
The self-deprecating, radical theorist, Slavoj Žižek, proposes in his “…big fat book[3]…” The Parallax View (2009) to elucidate the wicked hard problematic of the self in philosophy. In the introductory paragraphs we are shown around the galleys—an assemblage of art, pop-cultural and historical analysis and anecdotes—; one privilege of being a reader of Žižek is to find the same ironic and hilarious statements performed once again with grand flitting gestures and chorea on several video lectures online. We will dispense with the fun and game, and let the philosophy break out of its mirrored parallaxes.
The punch line of this tome, of course, is to situate the “…insurmountable parallax gap…” between plain sense certainty and the Hegelian infinite idea of self as the “the confrontation of two closely linked perspectives between which no neutral common ground is possible[4]”. This deadlock, for him, is the self itself[5]. The two closely linked objects of discourse here are the “…Hegelian-Lacanian…” notion of the subject and the dialectical materialist view of subjectivity that Žižek proposes to conjugate with sense perception, completing what he calls the event of “…Hegelian infinite judgement[6]…” inside the self— a short circuit.
Let us qualify the terms of discourse through which Žižek offers to take us to this ‘self’ effacing parallax. The three terms, which begin with the problem of two [namely, subject and object], are: (1) the Hegelian-Lacanian subject; (2) the partial objects of sense perceptions; and, (3) the gap which Žižek calls constitutive of the Hegelian-Lacanian subject, and its contingent freedom in affirming its sense perceptions as Being itself.
It will be more beneficial to enter this discussion from its tail-end; what is this constitutive gap that Žižek is talking about?
(3)
This term “gap” which we now set out to analyse has been described, in The Universal Exception (2006), as the proper realm of human inter-action that is invoked in the transition from intentional speech content to the expressed contents of speech[7]; or, even as the “…’defective’ mode of subjectivity, as a thwarted subject[8]…” that is nonetheless constitutive of the absolute subject. This notion of the gap has been used, also, in The Ticklish Subject: The Absent Centre of Political Ontology (2000), as a stick to beat Heidegger’s indigent and non-knowing being-at-hand which presumes to dismiss “…the gap separating awareness of the ontological horizon from the ontic engagement[9]…” as the transcendental or absolute subject. It has been used to call up the “…unbridgeable gap” that “separates forever a human body from its voice[10]”, in On Belief (2001).
This gap, it can be seen, has found articulation in several forms throughout Žižek’s philosophical oeuvre. The general use of the gap as an apparatus of thought in Žižek usually happens in encounters between a perceiving subject and a disorienting, or unprecedented, object of its perception. We can say that this gap, whenever it is invoked, takes on a spatial and temporal aspect where a decision is realised—creating a third entity. The idea of the human body separated from its voice is the alienated self, but this gap is crossed over by accepting the situation as the human voice tout court[11]. The gap is what is between intentional thoughts and speech acts; the spaces where objects are united with their experiencing subject[s] in stages of thought; the awareness which succeeds preconscious motivation and contemplative activity. All these formulations of the gap, that we have been through so far, serve the express goal of uniting the conditions of sense experience in the person who experiences them, and without.
The gap in Žižek is, then, the conceptual bone from which the spirit of thought rises, beyond its abstract conceptual framework to the status of a concrete self in time and space, even as an absolute self. This entails conceiving of the instinctual stuff which is the seat of affect, cognition and action as a kind of pure, inscrutable and numinous intentionality; which is why Žižek tries to equate them with the death instinct or purely driven subject of Lacan ($).
“[The]…very detachment from immediate immersion in life-experiences gives rise to new (not emotions or feelings, but, rather) affects: anxiety, horror. Anxiety as correlative to confronting the Void that forms the core of the subject; horror as the experience of disgusting life at its purest, “undead” life”
—Žižek, Slavoj. (2009, p. 227).
The characteristics of this numinous intentionality cannot be determined by anything outside it, but it can, nevertheless, determine itself from within by tapping into the death-drive[12]. Thus, action is achieved by an intentional subject acting on the world of objects which it must wilfully posit outside itself by a compulsion of its form, and in this action it recognises itself as an ‘I[13]’. But, from its own mental experience the ‘I’ cannot yet affirm itself as a material or spiritual being because as pure intentionality it has only potentiality, or negativity, at least until it performs a self-determining action by negating itself.
So, Žižek asks us to think of the self, or ‘I’ in its “…concrete universality”…; “…not merely” as “the universal core that animates a series of its particular forms of appearance…” but as “…the very irreducible tension, noncoincidence between…different levels[14]”. He evidently intends to derive by this negation of the gap—in voluntary action[15]—a warrant to call the pre-reflective or abortive Cogito ‘I[16]’ a stage before the Hegelian ticklish subject[17] of infinite judgement. This absolute subject “…the Hegelian ‘negation of negation’” “…not a matrix…of a loss and its recuperation, but simply that of a process of passage from state A to state B: the first, immediate ‘negation’ of A” that “negates the position of A while remaining within its symbolic confines, so it must be followed by another negation, which then negates the very symbolic space common to A and its immediate negation. [T]hat the gap” which “…separates the negated system’s ‘real’ death from its ‘symbolic’ death is crucial: the…” subject “…has to die twice[18]“. This speculation in-the-gaps-of-what-brain-science-cannot-explain is an overly religious attitude quite at odds with the claim of a radical materialist philosophy.
Of this movement the only justification offered is a proposition without argument, the arguments are levelled at a straw man: “… [T]he One of an organism as a Whole retroactively “posits” as its result, as that which dominates and regulates, the set of its own causes (that is, the very multiple process out of which it emerged)[19]”. In light of neuroscientific evidence that the self produces itself but cannot understand the production of itself simultaneously Žižek says “I am tempted to link this emotion which precedes feeling to the empty pure subject ($): emotions are already the subject’s, but before subjectivisation, before their transposition into the subjective experience of feeling. $ is thus the subjective correlative to emotions prior to feeling: it is only through feelings that I become the ‘full’ subject of lived self-experience”. So, Damasio conveniently, for Žižek, “…leaves out of consideration the proper empty core of subjectivity[20]”. Bakker beautifully deflates this bag of irresponsibly speculative wind: “The cognitive scientist need only ask, What is this ‘self-referential symbolic act’? And the circular penury of Žižek’s position is revealed: How can an act of meaning ground the possibility of meaningful acts? The vicious circularity is so obvious that one might wonder how a thinker as subtle as Zizek could run afoul it. But then, you must first realize (as, say, Dennett realizes) the way intentionality as a whole, and not simply the ‘person,’ is threatened by the mechanistic paradigm of the life sciences”.
Although this notion of gap remains fuzzy at its strongest moment of sleight of hand, we must now move onto the next term of Žižek’s discourse in The Parallax View (2009); namely, the Hegelian-Lacanian notion of the subject ($) but, considered on its own terms of coherence.
(2)
The question of the partial objects of sense perceptions.
The negation of Žižek’s negation of the gap in subjective feelings as ($) has been called into question from a scientific perspective. But there are phenomenological and psychoanalytical reasons, too, that prevent this rash sublation which Žižek is hedging for. The difference Žižek posits between $ and the abortive Cogito is one of the graduated self-consciousness of feelings expressed by language and thereby through figures of speech and feeling. But, this difference he invokes by appealing to Lacan’s notion of demand a propos desire[21] is ultimately one which is hermeneutic, even eminently metaphysical in the Hegelian and even Kantian sense. He presents an apologia for numinous instincts that interpret themselves as a self and then as a transcendental subject for itself but does not tell us where this shift in the direction of selfhood and transcendence came about if the $ was preconstituted by a language that was not yet there. In other words, Freud’s notion of subjectivation is closer to the phenomenological observation, and dismantles Lacan’s contortions, he is clear that the instincts and their objects come to become “reality”: the self is an ego-cathexis[22].
Accordingly, if language preceded the phenomenological account of consciousness it was precisely because the ‘I’ which witnesses the suspended epochȇ was taken to be present in whatever capacity the object of its observation was present. It posits its presuppositions but not backwards, only forwards towards intentionality proper—because the topographic movement of consciousness presupposes an original repression[23]. This commonality and compatibility between Freud and Damasio is devastating for Žižek’s claim; because, now there is no ontological validity in any distinction being made between “the proper core subjectivity” and mere affects. [T]he timelessness of the id and the chaotic cauldron of impulses it holds with the formal and immanent structure of the ego-object comes to a self-understanding only much later when language tones, controls, binds and negates instincts[24]. One benefits by remembering Freud’s aphoristic brevity on the matter, “Where the id was the ego shall be[25]”.
But, Žižek’s recourse to the Hegelian dialectic needs examination at this point. Let us assume for a moment that $ is subjectivity proper and that it is different from the ego-cathexis which Freud posits as the harbinger of reality.
“… [T]he sensitivity to the enigma of Other’s desire[26]” which Žižek invokes to subjectivise the proper core of ego-cathexis, in his statement of, what he imagines would be, how “Hegel would have put it…transcendence is the form of appearance of immanence[27]”. However, this is an absolutely unwarranted claim. Hegel was of the opinion that if the absolute was thought “…in naturalistic terms…then metaphysics” would “not require the transcendent knowledge condemned by Kant. All that” one “…need[ed] to know” was “nature herself[28]”. The problem with Žižek’s naturalistic explanation, then, is the same as the problem with the Christian fundamentalist explanation of the Blind Watch Maker to account for intelligent design; the gaps in logic which science offers today are reified as transcendental reality always already.
Now, Kant’s blows fall mightily on Žižek’s crypto-transcendentalist $: “We cannot confirm the idea of a natural purpose through experience, and that we attribute purposes to nature only by analogy with our own conscious intentions. The idea of an organism has a strictly heuristic value in helping us to systematize our knowledge of the many particular laws of nature. We cannot assume that nature is an organism, then, but we can proceed only as if it were one. In the terms of Kant’s first Critique, the idea of an organism is not a “constitutive” but only a “regulative” principle. Rather than describing anything that exists, it simply prescribes a task, the organization of all our detailed knowledge into a system. Here, then, lies the basic sticking point between Kant and Hegel: Kant denies, and Hegel affirms, that we can know that nature is an organism[29]”. But Žižek’s organism comes to subjectivated only retroactively when language can clothe its genitality in figures of speech, of feeling, but Freud’s naturalism and Hegel’s idealism are not amenable to this particular subjectivity proper which Žižek desperately needs for his transcendentalism without the transcendental.
The problem with laying on the Lacan on the Hegelian transcendental subject is that an impossible chasm—of the Freudian id which lacks time and spatiality—lies between them. See here.
The remnants of Žižek’s instinctual transcendentalism now require a topographic account of the prior-to-that-which-is-posited by the it or gap of his subtractive ontology. What exactly this subtractive ontology subtracts, and from what, as we have seen is a fraught question.
(1)
This brings us to the final, or Žižek’s first, term :the Hegelian-Lacanian Subject ($).
“We see that in the inner world of appearances, the Understanding in truth comes to know nothing else but appearance, but not in the shape of a play of Forces, but rather that play of Forces in its absolutely universal moments and in their movement; in fact, the Understanding experiences only itself. Raised above perception, consciousness exhibits itself closed in a unity with the supersensible world through the mediating term of appearance, through which it gazes into this background [lying behind appearance]. The two extremes [of this syllogism], the one, of the pure inner world, the other, that of the inner being gazing into this pure inner world, have coincided just as they, qua extremes, have vanished, so too the middle term, as something other than these extremes, has also vanished. This curtain [of appearances] hanging before the inner world is therefore drawn away, and we have the inner being [the ‘I’] gazing into the inner world—the vision of the undifferentiated selfsame being, which repels itself from itself, posits itself as an inner being containing different moments, but for which equally these moments are immediately not different—self-consciousness. It is manifest that behind the so-called curtain which is supposed to conceal the inner world, there is nothing to be seen unless we go behind it ourselves, as much in order that we may see, as that there may be something behind there which can be seen. But at the same time it is evident that we cannot without more ado go straightaway behind appearance. For this knowledge of what is the truth of appearance as ordinarily conceived, and of its inner being, is itself only a result of a complex movement whereby modes of consciousness ‘meaning’, perceiving, and the Understanding, vanish; and it will be equally evident that the cognition of what consciousness knows in knowing itself, requires a still more complex movement…”
—Hegel, Georg. W., F., § 165. Phenomenology of Spirit.
The transcendentally numinous instincts of Žižek’s notion of bare humanisation demand an account of the external reality which it projects without irony into its prehistory. Without the psychoanalytic notion of primal repression[30] the dialectic which Hegel sets in motion does not even begin[31]. Furthermore, the conclusions derived in the Lacanian version of this passage from Hegel are the same as that of Hegel. That one’s “…cognition of what consciousness knows in knowing itself…” requires a still greater movement that can account for the whole subject which precedes the cognition of parts belonging to a whole, and which Freudianism truly problematises[32]. But, if Lacan is following Freud then this result cannot be true; or, Lacan is not a Freudian, because he doesn’t address the problem of the peculiar ego-cathexis which makes language possible. It cannot be emphasised more vehemently that what Jacques Lacan calls the “…imaginary spatiotemporal complex…[22]” that allows desire to act in a specific way in response to a cognition is precisely the suspended epochȇ of the Kantian transcendental intuition. This intuition which is nevertheless the same transcendental subject of Hegel is also the constitutive form of mental objects, and then they, are “…the subjective forms of the unity of understanding[33]”.
The further problem with the self-positing $ who demands his desire is the inability to posit language as a preconscious structure of intention, which other than taking issue with Freudianism would run afoul of Kant’s sophisticated case for what qualifies as subjective and objective. This means that “…the Kantian distinctions between judgements of perception and judgements of experience, subjective and objective unity of consciousness, and empirical and pure apperception[34]…”… all of which are constitutive of Kant’s notion of consciousness demand satisfaction to pass muster as a properly subjective inaugural moment. Also, if this subjective moment were affirmed the purely instinctual drive or trieb, that Žižek latches onto, would begin with negativity only to negate an ego-cathexis, not reality as such as that would still be transcendental.
All in all, under the screen of anecdote and faux radicalism is the big charged void of Žižek’s fatally flawed subtractive ontology. The pithy mouthings and terse Lacanisation of desire—indeed, its becoming Oedipal despite itself and its self-positing genitality—are so much the worse for their blatant misapplication of German Idealism.
In a way, the faulty interpretation of Lacan’s Hegel and Lacan’s Freud which let Žižek fall through the constitutive gap of Hegelian infinite judgement are a proof a posteriori for the nullibiety of the Žižekian parallax. It hangs suspended on a gap, too precarious to tarry with the truly negative because it casts its pale shadow objectively over Žižek’s speculative negativity.
Works Cited
Beiser, Frederick. (1993). The Cambridge Companion to Hegel. New York, USA: Cambridge University Press.
Giordanetti, Piero; Pozzo, Ricardo & Sgarbi, Marco. (2012). Kant’s Philosophy of the Unconscious. Göttingen, Germany: Walter de Gruyter GmbH & Co. KG.
Gregory, Richard, L. (2004). The Oxford Companion to the Mind. New York, USA: Oxford University Press.
Hegel, Georg, W. F. Trans. Miller, A. V. (1977). The Phenomenology of Spirit. New York, USA: Oxford University Press.
Lacan, Jacques. Trans. Fink, Bruce. (2006). Écrits: The First Complete English Edition. London, UK: W. W. Norton & Company.
Ricoeur, Paul. Trans. Savage, Denis. (2008). Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Limited.
Žižek, Slavoj. (2000). The Ticklish Subject: The Absent Centre of Political Ontology. London, UK: Verso.
Žižek, Slavoj. Rex, Butler & Stephens, Scott Eds. (2006). The Universal Exception. New York, USA: Continuum Books.
Žižek, Slavoj (2009). The Parallax View. Cambridge, Massachusetts: The MIT Press.
[2] “Short Circuits: Series Foreword”.
[3] Žižek describing The Parallax View (2009), which he was in the final stages of writing, in Astra Taylor’s documentary Žižek! (2005).
[4] Žižek, Slavoj (2009). “Introduction”. The Parallax View. Cambridge, Massachusetts: The MIT Press. p. 4.
[5] Žižek, Slavoj. (2009).
[6] Ibid. p. 5.
[7] Žižek, Slavoj. Rex, Butler & Stephens, Scott Eds. (2006). The Universal Exception. New York, USA: Continuum Books. p. xviii
[8] Ibid. p. 103.
[9] Žižek, Slavoj. (2000). The Ticklish Subject: The Absent Centre of Political Ontology. London, UK: Verso. p. 15.
[10] Žižek, Slavoj. (2001). On Belief. New York, USA: Routledge, p. 58.
[11] “The “…proper core of subjectivity $…insofar as it explodes the frame of life-regulating homeostasis, coincides with what Freud calls death drive” Žižek, Slavoj. (2009, p. 227).
[12] Žižek spends considerable time refuting Damasio’s claims that the self produces itself by the moment but cannot account for the production of itself qua self. (2009, p. 225).
[13] “…This, again, is “humanisation” at its zero-level: this self-propelling loop which suspends/ disrupts linear temporal enchainment” Žižek, Slavoj (2009). “The Stellar Parallax: The Traps of Ontological Difference”. p. 63.
[14] Ibid. Žižek, Slavoj. (2009). p. 31.
[15] Žižek’s conception of voluntary is that “…man perceives as a direct goal what, for an animal, has no intrinsic value” (2009, p. 62).
[16] Ibid.
[17] Žižek, Slavoj. (2000, p. 72).
[18] Ibid.
[19] Žižek, Slavoj. (2009, p. 205).
[20] Ibid. p. 227.
[21] Žižek, Slavoj. (2009, p. 296).
[22] Ricoeur, Paul. 2008, p. 268.
[23] http://skepoet.wordpress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/
[24] Ricoeur, Paul. 2008. p. 396- 97.
[26] Žižek, Slavoj. (2009, p. 356).
[27] Ibid.
[28] Beiser, Frederick. (1993). The Cambridge Companion to Hegel. “Introduction: Hegel and the problem of metaphysics” p. 8.
[29] Ibid. p. 9.
[30] Gregory, Richard, L. (2004). The Oxford Companion to the Mind. New York, USA: Oxford University Press.
[31] “…if the finite ego and nature remain radically heterogeneous from one another – if the spontaneous activity of the ego is purely intellectual or noumenal and the sphere of nature is purely sensible or phenomenal – then the ego cannot even begin to act upon nature to bring it under its rational control” (Beiser, Frederick,1993, p. 14).
[32] See http://skepoet.wordpress.com/2013/03/01/psychoanalysis-psycho-dialectics-or-psycho-synthesis-or-why-hegel-is-not-freud-is-not-lacan/.
[33] Kant, Immanuel. Critique of Pure Reason.
[34] Giordanetti, Piero; Pozzo, Ricardo & Sgarbi, Marco. (2012, p. 235).
Psychoanalysis and Environmentalism, Part II.i
Cain Pinto
The biocentrist[1] and the Bright Green Environmentalist[2] are siblings. They compete to save their mother, but also mankind’s, from themselves. The oneiric image of ecstatic union with the mother—at her breast as a child—is a memory constantly threatened by the forgetfulness of appetites; made more and more spectral, hallucinatory by everyday spent in her possession. If we do not act[3] today[4] it will have been too late tomorrow: “we cannot harm any part of her without also harming ourselves[5]“. Mother Nature relies on us! For something we, perhaps, cannot give her; our very selves. The day to day existence of everyone depends on a usurpation of Mother Earth’s bounty, how much more must the environmentalists’, whose delicate sensibility abhorring the incestuous depredations of smokestacks and bullpricks yet must thrive on the power of her resources; food, electricity, a tree mulching environmentalist discourse? Some poet, driven by the same psychism of the incestuous gardener, made the ethereal pronouncement that only men cut down trees to make paper on which they express their desire for saving them. Between the competing brothers the very mortality inscribed in the consumption of Mother Earth through human use of her resources, attested by the indigenous and the apathetic rival to the fount of her nourishment alike in the complaints about her limited nature and the need for responsible consumption, there comes to be a solipsism; an absenting from distress to grasp, if only, at the memory of her heaving clefts, mounded hillocks and delicate foliage laid out for all her sons in a prelapsarian hunter-gatherer[6] totem meal. In the raging rectitude of their desire to protect her they half realise that their contestation is not all there is to the matter; Mother Earth is also a mother-whore to a whole indifferent world of despoilers, legions of deflowerers who rival for her incestuous predilection of necessity in their arch and environmentally hostile ways—perverts[7], sinners[8], rapists[9], tribals taking firewood from forests for a living after being dispossessed of their livelihood by industries. They are loathe to name the apparent, but devastating, truth available to their own, and humanity’s instinctually desirous, oral-phallic vacillation: Mother Earth is a slut[10]. Then, our own “conscience does make cowards of us all[11]” but, how much more does the conscience of the Others’.
Flight from these dire exigencies and drives, for and against human satisfaction—through technology, but also through ecological rape—has created an atmosphere where the underlying genital circuit of Mother-Whore Earth and a spontaneous revulsion from incestuous desire are paralleled in the sexual mores of humanity as such, and a radicalisation of these mores established on the shifting grounds of man’s relation to the environment too. In India the idea of Bharat Mata, or India Mother is held up as an ideal of feminity, fecundity, fideism to the Hindu faith[12]. A very popular Bollywood film Mother India (1957) has been described, rather too obviously psychoanalytically, by Sumita Chakravarti—is not the stock in trade of films the peddling of oneiric imagines; as a pathway to sublimation, or regression?—:
“[The] Radha of Mother India … has already become the mother of the whole community at the beginning of the film. Heavily garlanded, with the aura of distance conferred by ‘greatness’, she is persuaded by her ‘good’ son, Ramu, to inaugurate a dam built for the mechanised irrigation of their fields. The era of technology that independence is ushering in (symbolised by shots of tractors, machines, and dams…) promises relief and a new era in village life as well. What better figure to mark the transition from the old to the new than the culture’s feminine principle incarnate?” (Srinivasan, Bina 2007).
The images of a son compelling the damming and irrigation of his mother needs scant illustration in the primeval privates of the mind[13]. The domination of women is also the domination of Mother Earth, the archetypal woman; whether her son coercers her or seduces her he still remains culpable for desiring; is not he also her choice suitor, ordained for her express satisfaction[14], doesn’t Freud say so? The mutuality between symbol and signified, thought and deed, ecological conservation and the thriving of life as such is tenuous, soft, compelling and irrevocable. Mother must stop desiring all these children, these phallic consumers of goods possessed of moral depravity. If we cannot stop these cruel suitors perhaps we can defy them, become better than they and abandon this lust for the mother. But how must this be done? Castration! The Western idea of symbolic castration as impinging upon individuality wrested from the parental stead does not hold universally; Alan Roland (2011) and Sudhir Kakar (2011; 2012) propose that symbolic castration not only defuses a morbidly charged situation in the familial hierarchy of Asian subjects but also becomes an act of self-improvement with social and personal benefits, where the subject sublimates his distressing and disapproved desire with a supplement that satisfies the innate motivating principle of his desire.
The Peoples’ Park incident in San Francisco Bay area further punctuates the parapraxis involved in the articulation of ecological peace through libidinal frustration. The area divided between conservative Hippy-hating Republicans of East Bay and the pot-smoking revolutionaries of Haight-Ashbury; a plot of land used to hang out and carouse by the revolutionaries came to be espied for purpose of infrastructural development. This usurpation moved the hippies to raise picks and shovels and tractors in protestation and outrage on April 20, 1969; eventually, after many denouements of the conflict reached their climax, the establishment had decided to let the revolutionaries settle in there, which they did; growing vegetables that were picked prematurely and flowers that, DeGroot insists, were never quite pretty[15]. Picks and shovels are obvious symbolisations of genitals and fertility come specifically to rescue the modesty of Mother Earth from hungry bullpricks of her rivalling suitors, and their promises of bacon and biscuits sold on discount. Incest consummated, or thwarted, thrives under the vigilance and goading of the mind’s primeval censors, a mysterious guilt plagues the would-be-usurpers of the parental bed. While the histrionics that were usual on Peoples’ Park came to a screeching halt the land was taken over by a playground for children, amidst moribund flowers and jaded revolutionaries who once cocked a snook at society’s disapproval of mother-love, intoxication and unalloyed sexual liberty toking to the chagrin of conservative Republicans. While the orgy-revolution had been rebuffed more discreet and socially legitimised consummations of the Peoples’ Park continued unabated. Here, a protestation wins a symbolic victory, a reinstatement and verbal nod to their phallus and yet they are castrated as they sleep; not being allowed to live their ideological dreams the hippies are effectively neutralised whether or not they can engage in casual sex at the People’s Park, or any public place for that matter.
For the anthropocentric ecological crusaders the Earth is an oyster but the biocentrist holds that oysters are as important as anthropos. Insofar as both these groups must collide in their championing of the Mother’s mound their intentions stem from the same filial desire: protect her from spoilage. But, the anthropocentrist is cognisant of the position he is in when he rescues the mother; he proceeds to claim an ordained right to possess her felicity and gratitude. They, in psychoanalytic parlance, identify with mother Earth as servitors of her secret and symbolically inexhaustible fecundity: they identify in the Earth an aspect of man that begs preservation. Identification, though a detour of the narcissistic ego, allows a greater lightness and transparency to overcome the probable consummation of the slavery which desire demands from the ego-object[16]. The biocentrist seems to efface the self from this master-slave movement inherent to all love relationships: the lover surrendering himself to the beloved comes to fear from his own loss of self, but this loss of self allows him to be projected into the beloved such that his inexistence takes on the density of his idealisation of the beloved[17]. This de-centring of the self is castration; the ironic consummation of idealisation begins with the castration of the lover, and by this possession without ejaculatory inevitability, “…in Masters and Johnson’s terms…”[18], the coitus will never be foreshadowed by an interruptus. Castration has potential to become a priapic gesture of the libido, persisting beyond its effacement. Can this priapic gesture not be read in the absurd cosmology of the biocentrist which is not propounded by any of the other indispensable and irreplaceable species but him and his rivals? The deed of castration becomes more properly priapic, or hallucinatory, when it purports to elaborate that castration alone is the guarantor of love for Mother Earth.
Indeed, the identifying anthropocentrist environmentalist dissembles when enunciating his deposition of his desire for Mother Love, but the biocentrist turns his desire inward, like a corrosive acid in mortification reminiscent of the Catholic Church. The anthropocentrist is Protestant, believing in the sufficiency of the work of his hands and divine grace, Earth’s never exhaustible bounty. At this juncture, it must be admitted that were Earth doomed then man too would be, and there would be no anthropos to centre or even any conservation discourse. The biocentrist is Catholic, requiring a beating of breasts and the small of the back in mortificatory moral paroxysms. If the environment were rescued by human extinction, as some extreme biocentrist movements like the Voluntary Human Extinction Movement hold to be the case with utmost moral urgency, who pray would the ecology be possessed by? Is it not only the human discourse of ecological conservation that envisages the restoration of ecological diversity? These styles of devotion are merely ruses of Mother Love gone incognito; “by their works shall ye know them[19]”. Do the anthropocentrists who profess the need to conserve ecological integrity affirm their culpability in desiring to possess the produce of their love of the Earth? Yes. Are the biocentrists ready to eschew their lifestyles dependent on the products of civilisation that are rooted in the marital bed of Mother Earth and father superego? Perhaps, but it remains to be seen! And, they have not acceded that man is privileged, a superegotic despotism persists in their posturing. The former sheaths his desire in the honesty of the profligate, given to his irremediable dependance on Mother Earth’s bounty while the latter cuts off the throbbing organ of his morally repugnant desire; these styles of consummation, these appropriations of the desire and its elusive object are both awkward attempts at safe sex, as if there were such a thing.
To be Continued…
See previous part here: http://skepoet.wordpress.com/2013/02/23/psychoanalysis-and-environmentalism-part-ii/
Works Cited
Bachelard, Gaston. Trans. Jolas, Maria. The Poetics of Space. New York, USA: Orion Press, 1964.
Chew, Matthew, K. & Laubichler, Manfred, D. 2003. “Perceptions of Science: Natural Enemies–Metaphor or Misconception?”. Science: Essays on Science and Society. 4 July 2003: Vol. 301 no. 5629 pp. 52-53. DOI: 10.1126/science.1085274. Web. <http://www.sciencemag.org/content/301/5629/52.full>.
DeGroot, Gerard. “The Sixties Unplugged. London, UK: Pan Books, 2008.
Freud, Sigmund. Trans. Hall, Stanley, G. A General Introduction to Psychoanalysis. New York, USA: Horace Liveright, Inc., 1920.
Kakar, Sudhir & Ross, John, M. Tales of Love Sex and Danger: Second Edition. New Delhi, India: Oxford University Press, 2011.
Kakar, Sudhir. Book of Memories. New Delhi, India: Penguin, 2012.
Nordgren, Anders. Responsible Genetics: The Moral Responsibility of Geneticists for the Consequences of Genetic Research. Dordrecht, The Netherlands: Kluwer Academic Publishers, 2001.
Ricoeur, Paul. Trans. Savage, Denis. Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Limited, 2008.
Roland, Alan. Journeys to Foreign Selves: Asians and Asian Americans in a Global Era. New Delhi, India: Oxford University Press, 2011.
Scholarly Editions. Issues in Mechanical Engineering: 2011 Edition. Atlanta, Georgia: Scholarly Editions, 2012.
Sheldrake, Rupert. The Greening of Science and God: The Rebirth of Nature. Cochin, India: Editions India, 2007.
Srinivasan, Bina. Negotiating Complexities: A Collection of Feminist Essays. New Delhi, India: Promila & Co. Publishers, 2007.
[2] “‘There’s a schism emerging between two camps within the environmental movement. On the one extreme, the dark green non-governmental organizations (NGOs)—such as Greenpeace USA and Friends of the Earth—seek radical social change to solve environmental problems, most often by confronting the corporate sector. As Alex Steffen explains it, they tend to “pull back from consumerism (sometimes even from industrialization itself)’. On the other extreme, the bright green NGOs—such as Conservation International and the Environmental Defense Fund—work within the market system, often in close collaboration with corporations, to solve environmental problems. Again, as Steffen explains: This “is a call to use innovation, design, urban revitalization and entrepreneurial zeal to transform the systems that support our lives’.” Hoffman, Andy. See, <http://erbsustainability.wordpress.com/2009/05/13/the-dark-greenbright-green-divide/>
[6] “The view that hunter-gatherers are not responsible for environmental degradation is mistaken. It is widely believed that they were responsible for the extinction of the woolly mammoth, large land tortoises, and possibly even neanderthals (see “Overkill Hypothesis”). It is not necessarily a peaceful way of life, it encourages tribalism and competition over resources with other humans and predatory animals”. Case. See http://howlingwaste.wordpress.com/2012/02/17/hunting-gathering/
[7] Golubiewski, Nancy & Cleveland, Cutler, Eds. “Perverse subsidies”. The Encyclopaedia of Earth. Web. < http://www.eoearth.org/article/Perverse_subsidies>
[8] Soetomo, Greg. “Ecological focus in the Archdiocese of Jakarta, Indonesia”. ECO. Web. < http://ecojesuit.com/ecological-focus-in-the-archdiocese-of-jakarta-indonesia/2360/>
[9] Freidman, Sharon. “Face it: All Forests are Sluts”. High Country News. Web. < http://www.hcn.org/hcn/wotr/face-it-all-forests-are-sluts>
[10] Ibid.
[11] Shakespeare, William. “Act 3, Scene 1, p. 4; 84”. Hamlet.
[12] Srinivasan, Bina. “A Disciplined River: The Case of Narmada Valley and its People”. Negotiating Complexities: A Collection of Feminist Essays. New Delhi, India: Promila & Co. Publishers, 2007. p. 141- 79.
[13] “The nature of the symbol relationship is a comparison, but not any desired comparison. One suspects a special prerequisite for this comparison, but is unable to say what it is. Not everything to which we are able to compare an object or an occurrence occurs in the dream as its symbol; on the other hand, the dream does not symbolize anything we may choose, but only specific elements of the dream thought. There are limitations on both sides. It must be admitted that the idea of the symbol cannot be sharply delimited at all times — it mingles with the substitution, dramatization, etc., even approaches the allusion. In one series of symbols the basic comparison is apparent to the senses. On the other hand, there are other symbols which raise the question of where the similarity, the “something intermediate” of this suspected comparison is to be sought. We may discover it by more careful consideration, or it may remain hidden to us. Furthermore, it is extraordinary, if the symbol is a comparison, that this comparison is not revealed by the association, that the dreamer is not acquainted with the comparison, that he makes use of it without knowing of its existence. Indeed, the dreamer does not even care to admit the validity of this comparison when it is pointed out to him. So you see, a symbolic relationship is a comparison of a very special kind, the origin of which is not yet clearly understood by us. Perhaps later we may find references to this unknown factor”. Freud, Sigmund. Trans. Hall, Stanley, G. “Tenth Lecture. The Dream: Symbolism in the Dream”. A General Introduction to Psychoanalysis. New York, USA: Horace Liveright, Inc., 1920.
[14] See Kakar, Sudhir & Ross, John, Munder. Tales of Love Sex and Danger. Second Edition. New Delhi, India: Oxford University Press, 2011.
[15] DeGroot, Gerard. “The Sixties Unplugged. London, UK: Pan Books, 2008.
[16] Kakar, Sudhir & Ross, John, M. (2011). Also, see Ricoeur, Paul (2008).
[17] Ibid.
[18] Kakar, Sudhir & Ross, John, M. (2011).
[19] Matthew 7-16. The Bible.
Psychoanalysis and Environmentalism, Part II
Cain Pinto
The Fruit of the Earth: Of Personal and Impersonal Ecological Conservationism as Forms of an Instinct
“Shall I take a knife and tear my mother’s bosom? Then when I die she will not take me into her bosom to rest. You ask me to dig for stone! Shall I dig under her skin for her bones? Then when I die I cannot enter her body to be born again. You ask me to cut grass and make hay and sell it, and be rich like white men! But how dare I cut off my mother’s hair?”
Chief of the Native American Wanapum Tribe, 19th Century (Sheldrake, R. 2007)
The adornment of nature with the lived experiences of man used as nominal and formal characteristics for its agentic description, or personification, is not peculiar to animists or primitivisms. Even the mechanist[1], the positivist[2] and the determinist[3] invoke figures of metaphor, metonymy and personification in the elaboration of their theories and findings. Bachelard’s pronouncement on metaphor as “…an invisible grain of hashish…”[4], though itself a metaphor, allows us equally well for its obliquity in relation with diurnal experience to enter the realm of oneiric, and then even sublime, imagination. The passage from the oneiric to the sublime, however, is one fraught with a perilous scope for [mis]translation of affects from the impersonal domain of unconscious object-libido cathexis [as in hallucinatory fantasy] to the possibility of sublimation by a conscious decision to take charge of the duty of “…being-for-the-outside”[5], and vice versa. The formation of images, both oneiric and sublime, is ultimately linguistic; in this capacity these images are representations of instincts in two important senses: the suerpegotic ordering of cultural meanings that prefigure images by the impersonal process of the emergence of languages in society and the egotic coming to grips, or being-for-the-outside, of colloquial and idiomatic language use and various coexisting individual styles of expression. By using the terms personal and impersonal we are still referring to the collective level where the various ecological conversation discourses operate: the use of impersonal, personal and suprapersonal, here, is the organisation of levels of ecological conservationist discourse as they correspond with the Freudian topography of id, ego and superego[6].
The push and pull between the personal and the impersonal is thus only the conflict of instinctual representatives, or ideas, defined by their fidelity to a suprapersonal, or theoretical and formal domain of discourse which makes ecological conservation a field of human knowledge and practice. Between the potentially oneiric or hallucinatory personal unconscious and its sublime realisation on one hand and the potentially hallucinatory cultural unconscious and its capacity for sublimation on the other there is a charged space of interaction: the transference of the analytic session can be invoked here by treating the interactions between personal and impersonal narratives of ecological activism that become coherent as artefacts of instincts in an archive of suprapersonal psychisms—geared towards a human desire that becomes more and more concrete through a dialectical movement between personal ecological activism and impersonal ecological activism.
The polarity between biocentric and anthropocentric ecology[7] perfectly represents the impersonal being-for-the-outside of the psychism of ecological conservationism as such. This opposition is not simply one between irrevocably disjointed worldviews, rather it represents the gap between a superegotic demand for complete biocentricity, where man is made a limb on the body of the earth with no special privilege of place as in Deep Ecology, on the underlying occult anthropocentricism of all ecological conservation projects as such. Here, the seeming opposition between two ecological conservationist ideologies functionally comes to embody an oneiric imago of the conservationist psychism as such reaching outwards to the possibility of sublimation through its antecedent stages of identification with the Earth and idealisation of the Earth, through an arduous and partial process of reality-testing; from the traumatic situation of having to live through an industrialised and consumerist ego-consciousness, the psychism of conservationism arises to defend Mother Earth from phallic spoilage by contemplating a voluntary castration, a formal, or superegotic, limitation on the instinct of the suprapersonal signifier of ecological conservation, and from this a part of the activist shrinks back—no one likes being curtailed, unless by a ruse of desire turned inwards like in hallucination the curtailment itself becomes a possession of the object in the ego.
Now, the warring between Deep Ecologists and Bright Green Environmentalists, for instance, is not a fundamental mismatch between ideas that share a common goal, they are the adaptations of discourse to the upheavals imposed upon it by science, world affairs and individually conflicting ideologies, or representatives of instinct, that are influencing the manifest discourse of an instinctual drive towards ecological conservatism. Thus each position contains a baseline reactionary element: the biocentric position entails a capitulation to the status of humanity without a right to thrive on Earth, it is a surrender to the very idea which inspires the need to conserve ecological integrity, namely the risk that human and animal exploitation will irremediably tarnish it; the anthropocentric position claiming to conserve Earth for man’s benefit, though more apparently realistic, is still an adaptation of the superegotic biocentric absolutism which issues the first formalised statement of intent, or instinct to preserve ecological integrity […for gods’ sake!, even].
To Be Continued…
Works Cited
Bachelard, Gaston. Trans. Jolas, Maria. The Poetics of Space. New York, USA: Orion Press, 1964.
Chew, Matthew, K. & Laubichler, Manfred, D. 2003. “Perceptions of Science: Natural Enemies–Metaphor or Misconception?”. Science: Essays on Science and Society. 4 July 2003: Vol. 301 no. 5629 pp. 52-53. DOI: 10.1126/science.1085274. Web. <http://www.sciencemag.org/content/301/5629/52.full>.
Nordgren, Anders. Responsible Genetics: The Moral Responsibility of Geneticists for the Consequences of Genetic Research. Dordrecht, The Netherlands: Kluwer Academic Publishers, 2001.
Ricoeur, Paul. Trans. Savage, Denis. Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Limited, 2008.
Scholarly Editions. Issues in Mechanical Engineering: 2011 Edition. Atlanta, Georgia: Scholarly Editions, 2012.
Sheldrake, Rupert. The Greening of Science and God: The Rebirth of Nature. Cochin, India: Editions India, 2007.
[1] The use of operational metaphors during the process of designing new technology has a tangible effect on the possible outcomes of mechanical engineering projects. The case of the move from Pocket PC OS to PDAs was facilitated and given it unique trajectory by the use of organising metaphors that allowed the creation of a truly compelling interface for the device (Scholarly Editions, 2012).
[2] “Evolutionary biologists customarily employ the metaphor “survival of the fittest,” which has a precise meaning in the context of mathematical population genetics, as a shorthand expression when describing evolutionary processes. Yet, outside of the shared interpretative context of evolutionary biology, the same metaphor has been employed to argue that evolutionary theory is fundamentally flawed. Natural Selection, the argument goes, leads to a survival of the fittest. The fittest are those that survive. Ergo, natural selection describes the survival of the survivors. Thus one of the core concepts of evolutionary theory is a tautology. While it is easy to see how such an argument represents a deliberate misunderstanding of evolutionary theory, it also alerts us to some problems inherent to the use of metaphors in science. Metaphors introduce a fundamental trade off between the generation of novel insights in science and the possibility of dangerous or even deadly misappropriation. The extension of genetics to eugenics owed much of its popularity in the United States and in Germany to its use of culturally resonant metaphors. Labeling people as a burden, a cancerous disease, or a foreign body (Fremdkörper) conveyed the “threat” to society in terms that people could relate to in their respective historical and cultural settings (5–8). Given this power of metaphorical language, it is understandable why several scientists have been concerned with the prevalence of metaphors in certain disciplines (9)” (Chew, Matthew, K. & Laubichler, Manfred, D. 2003).
[3] The surety with which genetic determinism has been championed as a breakthrough has aroused concern in the scientific and academic community about the potential social fatalism that might emerge in defence of entrenched positions of power and exploitation in society. The idea that genetic determinism necessitates that some people are better than others in a determined way can have unsavoury social consequences (Nordgren, A. 2001).
[4] Bachelard, Gaston (1964). p. 219
[5] Ricoeur, Paul. (2008) “Book II. Analytic. Ch. 2. From the Oneiric to the Sublime: The Clinical Approaches to Interpretation”. p. 180- 86.
[6] The id, ego and superego cannot be conceived of as entities or locations in themselves; they are the movement of instinctual desires and their representations in ideas that come to take on the characteristics of the id, the ego and the superego. The possible outcomes of instincts namely sublimation, identification and idealisation as modifications of desire in relation to ideas of reality and their opposites regression, introjection and illusion in relation to a rejection of reality by the instincts are only labels that become coherent when the conflict between the instincts and reality reconfigure the position of the analysand in the products of his free associations. Id is the constant motivator of instincts, the superego is a facilitator of the id and the ego is that which is driven by the instincts to test reality or abjure it. All readings of a particular psychism function inside this energetics and topography in reference to pleasure, unpleasure and reality. See, Ricoeur, Paul (2008) p. 217- 29.
[7] The biocentrist ecologists oppose the bland and impotent anthropocentrism of deep ecologists to be a ruse of man’s narcissism; the biocentrists believe this narcissism is what has put man in the danger of becoming an ecocide in the first place (Sheldrake, R. 2007).
Psychoanalysis and Environmentalism, Part I
Cain Pinto
The quest to protect nature from wanton abuse, degradation and irreversible ecological crises bears in its integral moment an affinity with the structure of religion. Freud has shown us that man is capable of religion only inasmuch as he is capable of neurosis[1], and, now, it only remains to be seen how far the environmental escathon distinguishes itself from the daedal ceremonies and archaisms of neurosis to pronounce it a faithful servant to human necessity. The difference between neuroses and religion, for Freud, lies in a specific quality of the response that the subject enunciates in his experience of reality. For Freud, this reality can be extricated from its oedipal constitution only under the aegis of the god Logos, or science, “…not an altogether mighty…”[2] god, who the man without illusions must still listen to, resigning himself to the service of necessity, or the goddess Ananke. In the standoff between environmentalism as neurosis and environmentalism as religion a certain definition of reality shorn of its illusionary potential is the threshold of coherence for the analyst.
On the side of reality, in the Freudian topography, are Logos and Ananke the go[a]ds of the disillusioned and on the side of the neurosis are the archaisms of Eros and Thanatos marked by the tendency for a pleasure-seeking-unto-death; although it is Eros that impels men to action it is only under the gaze of Thanatos that these actions come to bear their allegiance to Ananke, overcoming the ruses of infantile desire. The triangulation between the desire for survival, the stratagems of this desire for survival and the more realistic optimism which emerges in response to the renewed understanding of reality become the definitional criteria which situate environmentalism in the field of human desire as understood by the psychoanalyst. After enumerating the facts of discourse that constitute the sphere of environmental activism under these three criteria we must analyse them by reading them against the state of scientific understanding, the relation of their strategies in response to this understanding and the degree of their optimism in light of their strategy. It is evident that this reading will only serve to guide the analytical reconstruction of the environmentalist’s psychisms or, an archaeology of the desire for conservation if you will, and a synthetic, or prescriptive, teleology is beyond the scope of a psychoanalytical reading.
Mauryan Environmentalism: Forest Conservation and Divine Edict
Man’s attitude towards nature has been through a long historical evolution, and different epochs can be seen to manifest peculiar psychisms in their artefacts and the historical records that they have left. The Mauryan Empire of ancient India, for instance, is marked for its geopolitical administrative policy of considering forest dwellers bestial opponents to be fought off their borders[3]. This fact however gains more than a political temper when we consider that forests as such were necessary to the survival of the Mauryan economy: forest produce was vital to the livelihood of the Mauryans and they developed elaborate criteria of categorisation for types of forest in relation to what might be obtained from them. Accordingly, the need for a class of forest dwellers who would safeguard the interests of the Janapada, an administrative unit of the Mauryan Empire, becomes apparent: the difference between these dwellers and the natives was that the former were legitimised by the crown to dispossess the latter. The attitude of conserving the forests was equivalent with extrication of the bestial natives dwelling in it; economy and politics became entwined in a categorical response to the desire for exclusive rights over forest produce. In this way, in the 3rd Century pastoralists came to become a caste divorced from their beginning in a class that served the needs of empire[4]. The installation of a legitimate caste however did not happen removed from a process of making outcastes of those who resisted the power of empire: violence remained political while also becoming eschatological, in the conflict between good and bad, caste and outcaste. The horror of the violence at Kalinga famously moved Emperor Aśoka to renounce warfare on the condition that his writ would hold even on those traditionally excluded from the caste of pastoralists.
“Even when he is wronged, the Beloved of the Gods believes one must exercise patience as far as it is possible to exercise. As far as the Forest (tribes) which are in his Empire are concerned, the Beloved of the God conciliates them too and preaches them. They are even told that they repent and do not kill anymore”.
-Emperor Aśoka’s Rock Edict XIII, (Kapur, Nandini, S. 2011).
Inasmuch as political power and economic necessity colluded in the creation of the Aśokan notion of those beloved of the Gods under his aegis his edict is both scientific in its objective scope for limiting the possibilities of life for his subjects and eschatological in alluding to a peace sustained by obedience to necessity. Aśoka, here, becomes the Oedipalising axis of the response to reality which the Mauryan Empire institutes backwards into the historical necessity written over their current predicament—the desire to maintain a peaceful mutuality with bestial natives. This compromise allows Aśokan sovereignty to become both a promise of mature genitality with respect to the power of those chosen by the Gods to be pastoralists, to enjoy their god given right over the forest, and a reassurance against the hostility of the forest dwellers who can also look for conciliation in surrender to his power and that of his higher caste subjects.
The father accepts the hostility of the children who rival their stronger, god-chosen, pastoralist brothers only so long as it is sublimated under the threat of his vengeance; the flow of power through the pastoralists’ militias is also the flow of benediction that attaches itself to restraint shown in consuming forest produce. The orality of the pastoralists’ caste derives from an introjection of Aśoka’s edict, a cannibalistic ingestion of power which runs down among the brotherhood of the sovereign’s subjects. Possessed of this power they in turn can subordinate the forest dwellers in a sweeping gesture of kindness, buttressed by the kindness of the sundering sword of Law. This situation of the sovereign’s subjects however necessitates the preservation of forests for two strategic purposes: maintaining peace with the tribals, but also maintaining a source of revenue for themselves and their Emperor. A double benediction of eschatologically inscribed peace and strategically sustained revenue become, here, the poles of Eros and Logos as they regulate the actions of subjects under the sign of death—in resistance to the sovereign, or Thanatos. The right to violence is maintained in the Emperor’s edict—this is the figure of Ananke.
Reality is the response of desire to necessity; environmentalism in the Aśokan Empire is a neurotic ceremonial sustained by the fear of violence, but for its neuroticism it is still a profitable identification with the legitimate figure of violence in that it allows the pastoralists and their militias to perpetrate violence top-down while upholding the conditions for peace which the edict has now enshrined as a guarantee against excess and arbitrary violence. They can plunder the forests so long as they are chosen of the gods to conciliate with the bestial tribes under the threat of divine retribution. Without this possibility for extending violence unto bestial populations destitute of the gods’ choice, the vestigial tribals, the preservation of forests becomes tied to a merely functional need for revenue. So, this was not necessarily an irreversible or self sufficient attitude towards conservation of forests and soon enough the expansion of agriculture had lessened the need for forests as a source of revenue[5]. This would go on to show the libidinal compromise in conserving forests on part of the Mauryan Empire rested precariously on the need for regulated consumption against the risk of violent clashes with natives for which the Emperor had developed a distaste.
The squeamishness of the Emperor is the only thing that kept forests from being appropriated without the invocation of a higher sanction, an axis of alterity that legitimated the monopoly of violence retained in the Emperor, who now stood sobered by his own capacity for violence. Accordingly, he prohibited the burning of forests[6] for a purpose other than strictly economic. The gap between the explicit policy of peace and the implicit need for violence to maintain the conditions of peace expose the restraint shown in the appropriation of forests to be a ritual of sublimation running in both directions. From the Emperor towards the pastoral caste under condition of not harassing the tribals without provocation and from the tribals towards the Emperor in not engendering the need for violence enshrined and adequately distanced from immediate reflection in the edict and its supernal invocation of the will of the gods. In this analysis the environmental attitude of the Mauryan Empire stands revealed as a neurotic ritual that allows necessity to be interpreted in accordance with desire [Eros]; this reinterpretation [Logos] however places demands on reality itself [Ananke], whereby the original intention of the Emperor is modified and tempered to suit the newly emergent reality of a sublimated, regressed demand for moderation in consumption.
To Be Continued…
[1] Ricoeur, Paul. Trans. Savage, Denis. “Book II. Analytic. What is Reality?” Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Ltd. 2008.
Print. P. 324- 38.
[2] Ibid. P. 326-7.
[3] Parasher-Sen, Aloka. Kapur, Nandini, S. Ed. “Of Tribes, Hunters and Barbarians”. Environmental History of Early India: A Reader. New Delhi, India: Oxford University Press, 2011. Print. P.
3- 16.
[4] Ibid.
[5] Ibid.
[6] Ibid.
The Genital Utopian: Wilhelm Reich
Review: Adventures in the Orgasmatron: The Invention of Sex
Cain Pinto
The legitimacy of psychoanalysis as a tool for social analysis, rather than personal therapy alone, obtains from its study of linguistic subject matter as a starting point; meaningful experiences and banal, timorous or ecstatic, achieve their necessary signifying, symbolic import by passing through language—the shared strata of societal totality and individual selves is, after all, linguistic[1]. The sober task of general psychoanalysis, then, is the mere collation, arrangement and fidelious systematisation of collective and individual experiences so that specific deadlocks, repressions and maladaptations of society, and of the self, can be understood, and then, redressed in conjunction with a newly enriched perspective of reality in relation to the social and personal inner life. Of course, Wilhelm Reich thought otherwise: finding that all maladaptations were repressions of sexual desire [according to Freudian dogma], he imagined all repression could be eliminated by abrogating social controls which regulated genital sexuality[2]—a task for which he found his own reactionary brand of orgasmic psychoanalysis especially suited. His psychoanalysis sought to make society orgastically potent, and thus achieve a world peaceful and free from the perversions of men under sway of Eros and Thanatos.
“Of course we are exciting patients sexually,” Reich told an audience of coworkers assembled in his Forest Hills Home, in response to [the charge of carrying out orgies at his clinic],…“but not with their dirty fantasy…And we don’t manipulate the patient’s genitals; but if we did, again, we wouldn’t do it with their dirty fantasy.”
—Turner, Christopher. Adventures in the Orgasmatron: The Invention of Sex. London, GB: Fourth Estate, 2012.
It is more than a little ironic, schizoid perhaps, that Reich for all his raging antipathy for Nazi fascism,—and Communism which he came to christen “Red Fascism” after he was ousted for smuggling in his outré project of a genital utopia[3] under the guise of Communist ideology—, would later come to become so megalomaniacal as to compel his disciples to sign Confessionals avowing his asinine, abyssal theoretical leaps. Giving credit where it is due, for Reich, will entail a grudging acceptance of the fact that some imbeciles do change the world for the better with their iconoclasm. Reich was the first psychoanalyst to align himself with a political cause, first as a Socialist and then as a Communist— at cost of being fired by each of his vocational obsessions turn by turn. He also put the Sexual Revolution in motion with his dictum: “…a room of his own for every adolescent”, issuing impassioned sermons about the dire need for twenty somethings to have gotten their rocks off lest their vile, emotionally plaguey virginity “…lead to problems later on[4]…”
A disapprover of marriage, when caught in his relationship with a pregnant Ilse Ollendorff headed on toward certain nuptials, Reich had to answer an American judge about certain volumes of Lenin and Trotsky found in his possession in 1941. After having professed his present political benignity, driven as he was these days by his neat para-political philosophy—an orgasm a day keeps the doctor away—of orgone induced orgastic empowerment for genital utopians of the future, and his prestigious membership in the International Society of Plasmogeny to demonstrate his innocence in a Red-crazed America, the stenographer betrayed Reich’s true genital predilection and posturing by mistyping the same as International Society of Polygamy[5]. Among his crazier capers were the dubious distinction of having introduced an orgone accumulator, a crudely built wooden box lined with several layers of steel wool and metal plating, to transmit orgone energy from the atmosphere and make the naked and huddled user orgastically potent, cure his common colds, cancers, and warts and all; a certain type of chiropractic-analytical therapeutic session where he kneaded away repressions from buttocks, jaws and stomachs, he said he’d never seen a neurotic without a repressed, stiff and plaguey stomach; and, ambitiously building a cloud-buster which performed many a fortuitous task like clearing storm clouds, bringing rain on order etc.
All in all an inveterate, schizoid and true romantic, Reich blew the lid off of psychoanalysis’ then still apolitical orientation, opening the way to more out of the [orgone accumulator] box interventions across philosophy and emancipatory politics. Christopher Turner’s book is sharp, uproariously funny, and surprisingly empathetic treatment of a scandalous prophet and clown.
Bibliography
Ricoeur, Paul. Trans. Savage, Denis. Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Limited, 1970. Print.
Turner, Christopher. Adventures in the Orgasmatron: The Invention of Sex. London, GB: Fourth Estate, 2012. Print.
[1] Ricoeur, Paul. Trans. Savage, Denis. “§ I. The Placing of Freud; Ch. I. Language, Symbol and Interpretation”. Freud and Philosophy: An Essay on Interpretation. New Delhi, India: Motilal Banarsidass Publishers Private Limited, 1970. P. 5- 6.
[2] Turner, Christopher. “Europe”. Adventures in the Orgasmatron: The Invention of Sex. P. 106.
[3] Ibid.
[4] Ibid. P. 133.
[5] Ibid. P. 288.
In Defence of Ashis Nandy
Cain Pinto
Ashis Nandy’s controversial point that the lower castes are the most corrupt is controversial only insofar as its context is elided, evaded or ignored with an agenda.
The blending of ideal totalities of thought and deed in the brutal melting pot of our diverse, often divisive, Indian people has been long drawn on as a resilient, and, indeed now, a robustly commonplace philosopheme by her commentarial, emblem bearing khidmatgars. In fact, long before freeing herself from the yolk of Colonial subjugation, popular Indian sentiment, and its ascendant political jingo of saffron stained Nationalism, had developed in her people an avidity for this syncretic unitarianism of thought— as much in symbolism and rhetoric as could fail to translate into practice, even. Our politics have been a testament to this tradition of abrasion and richness in turn. We continue to be a nation of many chugged along an inertial, expedient, One: Bharatavarsha. Srinivasa Ramanujan’s mathematical prowess, for instance, Nandy argues not surprisingly, was rooted as much in the tradition of Western natural philosophy as it was in an indigenous, para-European [pathological/ anal-regressive?[1]] culture imbued with the constellating torque of theotechny, astrology and the honing of technics pertaining to extrasensory perception[2]. The dizzying plasticity and substantive force of medieval Indian logical traditions stands testimony to the heteronymous and collative business of our modern discursive practices; where else may one find admixed sublime notions of valour to be obtained in logomachy attended simultaneously by a strong distaste for epistemological consistency? In the surviving clamour of ricocheting, and ever-revivifying-reifying, Indian traditions of logic mired in ancient, plural originations of course [!] The Nyāya-Śhāstra[3] school, for instance, finds place for categories of logical disputation such as intentional quibbling [chala], wrangling for victory at the cost of Truth [jalpa], ad hoc attacks on debaters [vitanda] and outré forms of the analogue like the varnya-sama— balancing two questionable axioms such that a conclusion may nevertheless obtain. An example of varnya-sama:
Sound is non-eternal,
Because it is a product,
Like a pot.
The leisurely and anodyne practices of intellectual jousting cultivated with great fervour in ancient India, through centuries, have all but petered out in deference to the narrow proprietary template of the mediatised sensationalisation of our information age. No more do the media have the time or inclination to tackle any discursion a tad removed from punctual dotage to the average, illiterate demagogue’s fiery sound bite. The gap toothed maw of local traditions of reason, once sharpened by the insatiable Indian appetite for knowledge pursued hotly by competing clans, is now emptied out for fear that it might puncture the official bag of wind beloved to some partisan electorate; gerrymandering of course defies catagories of traditional, and reasonable, logic and is its own totem and taboo. Ashis Nandy’s strident rhetoric, begging to differ with the contours of our mediatised information society, demands a more thoroughgoing involvement with contextual nuances. His own indubitable record as a champion for the emancipation of lower classes and castes in India by exposing the complicity of apparently rivalrous political combatants vying for their vote, through –sociological and psychological analyses, rankles with the po-faced, straight laced expediencies preferred by the heirs of a sterile Nehruvian secularity[4]. The aforementioned sterility of this secularity, perfectly emblematised by the rivalry between the Congress as self-appointed benefactors of minorities and the BJP as heroic brigands out to restore the lost glory of Hindutva, is best understood through Nandy’s critique of their mutual need for and benefit from the perpetuation of manageable instances of communal violence[5]— is not the very idea of the political the idea of an ineradicable enmity that justifies the Law and its punitive sovereignty and excess, the idea of a [6]polémios or hostis that a government alone can resist?
Now, the defence of minorities is no simple matter of taking sides in a political establishment that functions in line with ancient wasms, myths and cultural pasts which have seeped into the very [un]conscious ego structures of its principal actors. There are several polarities occulted between seemingly binary embattlements. The Hindu upper castes feel entitled to their privileges by descent while the lower classes, Dalits included, are grudgingly ceded to by way of reservations in government employment and education sectors, but the consequences of this allegedly salubrious interaction between puritanical and postlapsarian Hindu ideology on one hand and the reality of legally empowered lower castes on the other are mixed at best. While the idea behind reservations for lower castes in governance, education and employment was to secure their representation, equal status and reintegration into a chronically hierarchically stratified Indian society it has led to the development of sub-classes among the lower castes[7] and the perpetuation of bad faith among Hindu hegemons who see affirmative intervention on behalf of minority communities as de facto anti-Hindu. The irony is incontestable: the Hindu Nationalist political outfits uphold Hindutva ideology as an ego ideal that will not only restore a mythical, imaginal glory and pre-eminence to Hindu cultural values but also emancipate the oppressed classes in a soteriological telos; of course, both assertions are problematic given Indian history is replete with records of violence meted on cultures by colonising, invading others[8]: Hinduism of the historically accurate variety is by its form hierarchical and exclusive, shaped as it was by invaders and repeated subjugation to cultural others, but the symbolic efficiency of its rhetoric gaining gravity from sheer persistence continues to be exploited by RSS and BJP ideologues[9]. The use of linguistic, cultural, religious and mythical differences between communities continues to be dominant in the will to power; dividing electorates by caste lines[10] makes political sense if power is its sole motive. Is it surprising that governments have endorsed particular versions of history to be taught in schools and universities, at variance not only with established or inadequate, unequivocal, facts but also with each other? Ashis Nandy thinks the use of controversial historical revisions in officially endorsed versions for pedagogical use to be a tactical instrument of power: it establishes means for legitimating and enforcing negative social attitudes towards persistently marginalised minority communities, and lower castes[11].
The problem runs deeper still: emancipatory provisions like reservations to ensure the gradual improvement of the economic and social standing of the lower classes, e.g. Dalits, Other Backward Communities, scheduled castes and scheduled tribes etc., have led to pockets of prosperity while leaving the rest of their communities marginalised[12]. And, if this was not problematic enough, the newly enfranchised and prosperous beneficiaries of reservation and other alleviating government interventions among the lower castes, also, have historically tended to re-christen and acculturate themselves as Hindus proper; adapting Hindu religious practices and beliefs once their economic marginalisation was redressed, and dissociating from their erstwhile class peers from their original communities— adding a twist to the casteist logic by identification with their upper caste oppressors, in a process sociologists have called sanskritisation[13]. To state controversially a very necessary observation: the symptomal tendency of the condemnation Ashis Nandy’s ironic, innocuous and constitutionally privileged speech act has garnered from the lower castes belies another occasion of identifying with the aggressor: in calling out Nandy’s provocative defence of their cause, offended lower caste representatives have allied themselves with their higher caste oppressors who would like to get rid of Nandy’s scathing exposé of their cultural chauvinism. In this way they can continue to subjugate lower castes in a system that appears legitimate, in an almost fatalistic pre-ordination as Kancha Ilaiah[14] would point out. In light of these endemic and long abandoned fault lines the fashionable brouhaha about sensitivity towards the historically oppressed classes, political correctness and the rule of communal vote banks take on a life that is parasitic upon the body politic of a deferred, and truly representational, democracy. In its place we have a semiosis with sound and fury betraying an unresolved psychic deadlock at the heart of our divided lower classes and their unified oppressors. When Nandy said, at the Jaipur Literature Festival, 2013, —during the talk entitled “Republic of Ideas” which the present author was fortunate enough to attended with his wife, —that the Dalits, O.B.Cs, S.Cs and S.Ts are the most corrupt class of governmental officials he was formulating the dominant psychological and adversarial consciousness of upper class elites that informs the formal and institutional communalism of Indian governmentality. The persistent outrage against reservations in premier colleges for students from marginalised Dalit, O.B.Cs, S.Cs and S.Ts communities, who have been put to disadvantage by dominant higher castes for several centuries of India’s history as a Republic based on the principle of equality accountable to constitutionally privileged Law, bears witness to what the privileged classes and castes think of the lower castes and the oppressed: precious little. Nandy has shown both the oppressive Hindutva hegemons like the Sangh Parivar; RSS; VHP; the BJP and their symbolic adversary the Congress, with its Nehruvian secularity, mirrored obliquely in several identitarian political parties, are only concerned with a will to power, and their predilection for a status quo that legitimates their own political sovereignty[15].
The modifying apogee of Nandy’s ironic formulation— which most media failed to convey along with their ad hoc sensational and irresponsible reportage of [mis]quotation, repeated ad nauseum in loops— was to come later in an elaborately qualified agreement with his interlocutor Tarun Tejpal, founder of Tehelka; where he said, he saw corruption among lower classes as having an ameliorating effect; he thought it was an opportune symptom that belied lower caste consciousness having reached a stage where they were better equipped to redress their systemic suppression by the armatures of our ingrained casteist governmentality. His underlying thesis being: what the upper classes had done with impunity has now become available, in however insular and specific instances of corruption among lower caste governmental and bureaucratic actors, as a counterstrategy against a traditionally upper caste governmental culture. Behind his deadpan pronouncement that corrupt lower caste governmental agents restored his hope in the possibilities of a robust Indian Republic and a democracy to come was a well worn career of forty years spent theorising and empowering the subaltern, the oppressed and the peripheral selfhood of Colonial and Post-Colonial subjects. But this defence which may have taken many an odd hour everyday for years on end to formulate, as discourse, as clarion call and vitanda cannot be conveyed without Nandy’s seemingly egregious irony. Without irony there could be no ironing out of differences irreducible to a few seconds of vocalised order words, no longer coherent in a social space alienated from its communal meaning and being. There is, of course, no time for such nitpicking and responsibility towards the veridical in the Indian republic of mediatised democracy. Sound arguments are loudly, quickly and efficiently supplanted by sound bites that turn around the very purpose of dissensus and defence. I stand behind Nandy, not to be contrarian, offensive, insensitive or casteist but because I believe he said what he did in good faith and as an ally of the oppressed, with the weight of traditions of logic, reason and rhetoric that go back and forth from Pre-Vedic to post-modern India, behind and before him as a warrior-theoretician of the Indian subaltern.
Bibliography
Derrida, Jacques. Trans. Collins, George. “On Absolute Hostility: The Cause of Philosophy and the Spectre of the Political”. The Politics of Friendship. UK: London, Verso, 2005.
Gottlob, Michael. History and Politics in Post-Colonial India. India, New Delhi: Oxford University Press, 2012.
Kakar, Sudhir. Indian Identity. India, New Delhi: Penguin India Ltd. 2004.
Ilaiah, Kancha. Post-Hindu India: A Discourse on Dalit-Bahujan, Socio-Spiritual and Scientific Knowledge. India, New Delhi: Sage Publications, 2009
Michael, S., M. Ed. Dalits in Modern India: Vision and Values, Second Edition. India, New Delhi: Sage Publications. 2007.
Nandy, Ashis. Return From Exile: Alternative Sciences; The Illegitimacy of Nationalism; The Savage Freud. India, New Delhi: Oxford University Press, 2004.
Nandy, Ashis. Exiled at Home: At the Edge of Psychology; The Intimate Enemy; Creating a Nation. India, New Delhi: Oxford University Press, 2005.
Sarangi, Asha. Themes in Indian Politics: Language and Politics in India. India, New Delhi: Oxford University Press, 2011.
Vidyabhusana, Satis, Chandra. A History of Indian Logic: Ancient, Medieval and Modern Schools. India, New Delhi: Motilal Banarsidass Publishers Private Limited. 2006.
[1] Ashis Nandy in his essay “The Savage Freud” discusses the prevalent attitudes of European intellectuals about Indian cultural mores and ways of thinking and being as, psychoanalytically, anal-regressive.
[2] See Nandy, Ashis. Return From Exile: Alternative Sciences; The Illegitimacy of Nationalism; The Savage Freud. “Alternative Sciences: The Other Science of Srinivasa Ramanujan”. India, New Delhi: Oxford University Press, 2004. P. 120.
[3] See Vidyabhusana, Satis, Chandra. “Contents of the Nyāya-Śhāstra. 32. The Categories: Their Definition”. A History of Indian Logic: Ancient, Medieval and Modern Schools. India, New Delhi: Motilal Banarsidass Publishers Private Limited. 2006. § II. P. 55- 69.
[4] Krishna, Sankaran. “Death of Irony in the Age of Media”. The Hindu: Editorial. P. 10. Thursday, January 31, 2013.
[5] See Nandy, Ashis; Trivedi, Shikha; Mayaram, Shail; Yagnik, Achyut. “Creating a Nationality: The Ramjanmabhumi Movement and the Fear of the Self”. Exiled at Home: At the Edge of Psychology; The Intimate Enemy; Creating a Nation. India, New Delhi: Oxford University Press, 2005. P. 1- 207.
[6] The idea of public law demands that there be a transgressor of public law, necessarily and chronically: the public enemy is a structural necessity as the basis for a judicature that can punish and discipline. For an enlightening discussion on this theme see Derrida, Jacques. Trans. Collins, George. “On Absolute Hostility: The Cause of Philosophy and the Spectre of the Political”. The Politics of Friendship. UK: London, Verso, 2005. §5. P. 112- 137.
[7] Jogdand, P., G. Ed. Michael, S., M. “Reservation Policy and the Empowerment of Dalits”. Dalits in Modern India: Vision and Values, Second Edition. India, New Delhi: Sage Publications. 2007. P. 315- 335.
[8] See Kakar, Sudhir. Indian Identity. India, New Delhi: Penguin India Ltd. 2004. Also, Ilaiah, Kancha. Post-Hindu India: A Discourse on Dalit-Bahujan, Socio-Spiritual and Scientific Knowledge. India, New Delhi: Sage Publications, 2009.
[9] See Gottlob, Michael. “Scientific and Political Claims in the Rewriting of Indian History”. History and Politics in Post-Colonial India. India, New Delhi: Oxford University Press, 2012. P. 1- 80.
[10] See Sarangi, Asha. Themes in Indian Politics: Language and Politics in India. India, New Delhi: Oxford University Press, 2011.
[11] ibid. Gottlob, Michael. P. 23
[12] Ibid. Ed. Michael, S., M. (2005)
[13] See Ilaiah, Kancha. “Symptoms of Civil War and End of Hinduism”. Post-Hindu India: A Discourse on Dalit-Bahujan, Socio-Spiritual and Scientific Knowledge. India, New Delhi: Sage Publications, 2009. P.232- 266.
[14] Ibid.
[15] Ibid. Nandi, Ashis et al. 2005. P. 1- 207
Remembering Adorno: The Recursive Telos of Critical Conscience
By
Cain Pinto
Yesterday was Adorno’s birthday [peace be upon him!]. And, while it remains enduringly fashionable among left-wing types to dismiss Adorno, and no less The Frankfurt School, in a single remonstrating gesture, it also remains a verifiable fact that few bother to engage him from beyond the miasma of elitism, essentialism and arrogance which our spectacular age has mounted on his diagnoses of culture. The general response to his work bespeaks a fear of raising the patina of intellectualism over praxis, of alienating popular culture, of subverting reasoned criticism to shirk the unconscionable biddings of political immediatisms where art has lost its frame of coherence and has become yet another product for popular consumption- a respite with sound and fury but no signification- yet such was never Adorno’s own project.
Among his copious folios of work there is one particular stream in which his thought permeated the very heart of the matter, and though he may have fallen off his hobby horse now and then into the pits of assumption and error, his reconnoitering remains exemplary in its scope, perspicacity and endurance. His critique of the nexus between artistic expression and the cultural trends that it capitulates to is damning and remains all too painfully pertinent; when we admit to ourselves and others that music means no more than entertainment, which may be as it may, do we really escape the indictment of abandoning the task of our own escape from the strictures of oppressive culture? It is highly suspect. Among the basic axioms of his procedure, Adorno gave special place to the unique recursive structure of thought applied to thought, one expects no less from a dialectician: he posited that a deep dissatisfaction with one’s culture presumed an immersion worth the name into its substance. Only those who partake of its products, paradoxically, are allowed the luxury to see in it the detritus of their conscience, the dregs of their resistance waylaid by the trite melodies of popular dance music and as they are struck petrific by the entrancing thaumaturgy of film. Today, were he around, he would most probably be goaded into citing himself- Simon Critchley calls self-citation an act of narcissism, but I digress- and pronounce upon us our dishonest evasion of our predicament. It is not that merely our desires are stifled by the culture that enables us our habituated libertinage but even their symptoms are effaced by the apparatus of “…a lavish display of light air and hygiene…[produced] by the gleaming transparency of rationalised big business…” (Adorno 2005, p. 58).
Our complicity with contemporaneous conditions makes us culpable for its failings, for the slippages of desire and damage incurred by acceding to the despots’ machinery of causeless effects. If indeed art were produced in vacua there would be no need for its justification but only since we are swarmed by it in a reciprocal configuration of desire versus desire we owe more than wrung hands to its integral form. It behooves us to draw strength from this involvement “…to dismiss it” in so far as it fails to arouse our sympathetic epiphany, our rising beyond the material conditions of the commoditised world to reclaim the tenacity of despoiled, alienated and thereby mystified desire. “What is true of the instinctual life is no less true of the intellectual: the painter or composer forbidding himself as trite this or that combination of colours or chords, the writer wincing at banal or pedantic verbal configurations, reacts so violently because layers of himself are drawn to them. Repudiation of the present cultural morass presupposes sufficient involvement in it to feel it itching in one’s finger-tips…” (Adorno 2005, § 8. p. 29).
The import of his critical project would not have us wash our hands off art’s lifeblood at the scarce font of immediatisms accommodating the brutality of indifferent social systems. The mystical and poetical flourishes most contemporary artists employ to exonerate themselves from the duty of explaining their motivation only serves as a foil for the abject regression of the artistic self, which has miscarried all artistic intent before it can strive to redeem itself by its own toil. The artistic subject removed from ipseity at home in his milieu, thrown into the being of the market system which homogenises all in the currency of its one-all, has become a blight to the possibility of a conscience that has power to elevate art above human conditions and, so in due inversion, the possibility of also man’s elevation above the artefacts of [a]historical conditioning. “… [Herein] lies music’s [indeed, all arts’?] theological aspect. What music [art] says is a proposition at once distinct and concealed. Its idea is the form (Gestalt) of the name of God. It is demythologised prayer, freed from the magic of making anything happen, the human attempt, futile, as always, to name the name itself, not to communicate meanings” (Adorno 2002, p. 114).
The logic of the day, which makes so much of its clarity, has naively adopted this perverted notion of everyday speech. Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case. Rigorous formulation demands unequivocal comprehension, conceptual effort, to which people are deliberately disencouraged, and imposes on them in advance of any content a suspension of all received opinions, and thus an isolation that they violently resist (Adorno § 64, p. 101).
So, briefly, why read Adorno today? Because, it is imperative to act against the reactionaries, though they be ourselves. If we say too much has happened that has incontestably altered the course of art and its equation with consumption, thought and its relation to things are we not merely begging more reasons for surrendering to the beast that is already astride us? Read Adorno because, precisely because, he angers you with his obstinacy, his clinging to a hopeful differentiation from the abject form of alterity imposed upon popular consciousness. To fight the abstractions which generalise the self, artistic and otherwise, Adorno’s critical apparatus remains a worthy weapon, -though it sometimes is a knife all blade- what hurt is spared the self which cannot define art but can seek out a hadron’s theotechny? Wherein rests the aura of artistic inspiration; wherein the magic of its immaculate conception; wherein the titanic moment of its articulation and production through the very engines from which we derive our existence, let us inquire therein of the precise psychical automatisms that move us thusly to procure for its occult, atemporal archaeology the produce of our bodily culture, our arts. If our art is all sensuousness and corporeality what then is the mystery of its immaculate inspiration, how can we rest assured in the rejection of all inquiry and criticism of its material epigenesis? To do so is dishonesty shown home, in ourselves, in a world where selcouth artistic essences threaten the very existence of the thing itself; the world where art is two birds in a bush and we are left with age-old platitudes in our hand, kneeling before the disembodied flash which animates it with a cataclysm. In the end, to mystify the moment of our deepest impulses with the rhetoric of romance or respectable forgetfulness is to disavow the pompous claim history lays upon our culture: justify yourself despite your existence. Why must rational consciousness coil itself like an illusion, effacing its discernable origins, if it comes ascendant on Dickinson’s nimble winged hope? The emancipatory potential of art lies in the understanding of its brutal prehistory and natal experience, which must be unearthed and come to terms with on its own terms; thought, in order to be made intelligible and not mystical or sophistically narcissistic, must break free its jaw from its own tail. Adorno invites us, despite the neutralising haze of our critical conscience that settles itself on his work, to recreate the topology of desire and study the imbrications and scarifications lathed upon it as so many warts only so we may excise them now, though it is too late. For, we are moving in the circle of unreason so long as we attribute to some divine preordainment the subordination of art to both commerce and magic, the repression of self to the bad infinity of the body which speculates about the end of history. The end of history situates itself in our aeon, and we must resist becoming anachronisms in this inauthentic becoming. Else, why art at all?
Works Cited
Theodor Adorno. Trans. Gillespie, S. Ed. Leppert, R. “Music, Language and Composition (1956)”. Essays on Music: Theodore W. Adorno. USA: University of California, 2002. Print.
Theodor Adorno. Trans. Jephcott, E., F., N. Minima Moralia: Reflections from Damaged Life. UK: Verso, 2005. Print.
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